
By Ed Staskus
“I got started in theatre when my mom was looking for what I might be interested in,” Hayden Lysecki said. “She put me into all these random things, from dodgeball to martial arts, but the thing that stuck was theatre.” Born and bred in Whitby, Ontario, Hayden was 12 years old when he got cracking. He put his dodgeball sweatbands away and retired his gi fighting suit. He planted himself on the stage.
“I think it stuck because I love being a part of telling stories and I love attention.”
One of the first productions he appeared in was “Oliver!” It is a musical from 1960 based on an 1838 book by Charles Dickens. Oliver Twist is an orphan navigating London’s underworld while searching for a family and a home. He falls in with a gang of pickpockets led by the cunning Fagin.
“The director Geoff Couler saw something in me and gave me the part of Fagin,” Hayden said. He was the youngest member of the cast. “There was a sense of great excitement and utmost fear in me. I found out thriving on that is what theatre is all about. It’s like riding a roller coaster. It’s a positive fear, since it’s such a fun experience.” He belted out “You’ve Got to Pick a Pocket or Two.” The applause lit him up.
“The year of ‘Oliver’ changed my life. The majority of what I’ve done since then are musicals. You get to act, sing, and dance, instead of just talking at an audience.” Musicals are about characters who feel so deeply about something that they are compelled to break out into song. “I love plays, but some of them are stinkers, like when there are two guys in one room and they spend all their time talking to each other.”
Hayden majored in performing arts at Oshawa High School and O’Neill CVI High School. He participated in a Broadway Student Summit studying “Hamilton” and “Chicago.” He secured a Music Performance diploma from Holland College and is currently a Bachelor of Music student at the University of Prince Edward Island.
“Choral music was pushed in our high school, which suited me since it is one of my passions,” Hayden said. “Our chamber choir was invited to sing at Carnegie Hall for Eric Whitacre.” The bus ride to New York City took most of a day. Eric Whitacre is an American composer and conductor best known for his choral music. “There were lots of choirs who were part of that show. It was mind-blowing.”
During Hayden’s high school years he participated in several tailored workshops. “Most of the workshops ended with the advice, if you can do anything else, please do it. The mindset I learned to keep is, what’s destined for you will come to you, while what’s not for you, you will be rejected for it. It will suck but you will move on. The only thing you can do is accentuate what you do well, and that way you’ll get the roles you’re going to shine in.”
His parents were all in, even though neither of them were performers. His father, however, had once played in a band in high school. It was a four bass guitar band called Lake of Bass. There was a steady beat but the melody had to be worked out by the listeners.
“My family made the commitment to driving me to rehearsals multiple times a week until it became an in school thing in high school.” All youngsters need some help as well as the confidence of the help they are being given. Parents helping their children is fruitful for everybody. It enriches the children and benefits the neighborhood by keeping parents off the streets.
“I was a bit of a black sheep trying a new thing,” Hayden said. “The way my parents supported me came in all the ways parents have to do it behind the scenes, driving me everywhere, making sure I was fed before rehearsals, and coming to all my shows. I think they realized it could be a reinforcing thing for a kid who wants to figure out who they are in life, who wants to grow into their own.”
Hayden graduated from high school as the Covid-19 pandemic picked up steam. “I didn’t get to go to prom, a graduation ceremony, or perform in our year-end show. I was supposed to be Joseph in ‘Joseph and the Amazing Technicolor Dreamcoat.’ I couldn’t go anywhere. I went nocturnal for a couple of months. Not being able to perform, your soul just dies.”
Hayden’s father was the Chief Technology Officer of a software company. Mike Lysecki moved his family from Ontario to Prince Edward island in the summer of 2021. His firm had leased office space in Charlottetown, the capital of the province, intended to house 50 employees, and wanted somebody up the chain of command to run the operation. Hayden’s father was that man.
“Prince Edward Island and Charlottetown are growing areas for top talent across Canada and the province’s proximity to universities and its passionate workforce makes it the perfect place for our expansion,” he said.
“My father had been thinking of retirement and thought Prince Edward Island would be a wonderful place to settle down when he eventually stopped working. It was the fastest process ever for our family. He told us about it in June and we were on the island in August. It was a whirlwind. Things were crazy for me for a while but as soon as I came here I could see there was a vibrant music and theatre community on the island.”
The family moved to the bay at West Covehead, up the street from the Brackley Beach Drive-in. Hayden started knocking on doors. “Since then, I’ve been living and doing shows here. I started by working at the Watermark Theatre in North Rustico as an intern, doing all kinds of things, props, painting sets, being their office manager. I was a part of the ‘Munshables’ at the Confederation Centre last year and this year I have been in ‘Rent’ and ‘Anne & Gilbert’ at the Florence Simmons Theatre.”
“Rent” became a big hit as soon as it premiered on Broadway in the 1990s, winning the Pulitzer Prize for Drama and the Tony Award for Best Musical. The story revolves around Mark and his friends in the arts struggling to make a living in New York City. Hayden played Mark in the musical, embracing the character’s dual roles as narrator and documentarian of his circle’s experiences. “Mark wants to shed light on not just his friends, but the entire community that he’s immersed himself in. And that’s such an inspiring journey.”
It’s also a challenging journey. “One of the most challenging aspects of the musical is all the genres Mark performs in. Rock is the main medium in the story, but Mark performs in a myriad of musical styles from powerful duet ballads to dancing the tango. It’s almost entirely sung through, like an opera, so there is very little downtime onstage. Mark and I are very similar in our abilities to connect with people and read their emotions to properly perceive a situation. We also both have a passionate fire inside of us that translates to our physicality. Rallying a crowd and leading a group number feels like second nature.”
“Anne & Gilbert” was where he learned to act fast. The actors had only two and a half weeks of rehearsals. They had to get the ball rolling. “They needed to learn 17 musical numbers in a short rehearsal time, and the quality of their singing was exceptional,” Wade Lynch, the director of the show, said.
It was also where Hayden sussed out the merits of authenticity. “You lose authenticity when you chase it, when you set your performance around trying to get an audience to react to you. Your job is to do your part in the narrative. In musicals the actors on stage are gaining a lot of their energy and passion based on what the audience is giving back to them. If you can get an authentic reaction from the audience, then you’ve got something great going.”
He had something great going when he played Fagin in “Oliver.” In the second act he sang a song called ‘Reviewing the Situation.’ It starts by asking, “Can a fellow be a villain all his life? I’d be the first to say that I wasn’t a saint.” It ends by declaring, “I’m a bad ‘un and a bad ‘un I shall stay.” Reviewing a situation usually means identifying issues for improvement and making changes. Not so for Fagin in that song.
“It’s got four verses with a ton of words,” Hayden said. “I was stressed out about forgetting the words on opening night but I got in a groove and it just flowed. When I hit the end of the song, the audience loved it. It felt incredibly validating. It makes you feel invincible. From then on I knew that was the feeling I was after.”
Obstacles are what you see when you take your eyes off the goal. Nothing can stop a man with a purposeful frame of mind. Nothing can help a man with an aimless frame of mind. Hayden is staying focused on the bullseye.
“One of the main reasons I enjoy performing is because of the connections you make with people, not just within your troupe, but with the audience, too,” he said. “Audiences come and go but they can and do remember you.”
Being in the acting business can be enriching in more ways than one. “Some people look at acting like it’s just messing around and not work, not exactly a way of making a living,” Hayden said. “I try to surround myself with creative individuals and theatre people who enjoy the craft, so I hear a lot less of the negative voices. For me, acting fluctuates between being a business and the favorite thing I like doing. If you’ve got the grit, if you’re marketing yourself, if you are accepting opportunities, it is one of the most rewarding jobs on the planet.”
All jobs require a measure of stamina, staying aware of the whys and wherefores, and putting in the effort. “My next few years are committed to studying my craft at the University of Prince Edward Island, so I’m sticking around here,” Hayden Lysecki said. He is committed to rise and shine.
Ed Staskus posts monthly on 147 Stanley Street at http://www.147stanleystreet.com, Made in Cleveland http://www.clevelandohiodaybook.com, Down East http://www.redroadpei.com, and Lithuanian Journal http://www.lithuanianjournal.com. To get the site’s monthly feature in your in-box click on “Follow.”
“Ebb Tide” by Ed Staskus
“A thriller in the Maritimes, the deep blue sea, magic realism, and a memory.” Sam Winchell, Beyond Books
Available at Amazon: https://www.amazon.com/dp/B0CV9MRG55
Summer, 1989. A small town on Prince Edward Island. Mob money on the move gone missing. Two hired guns from Montreal. A peace officer working the back roads stands in the way.
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